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The two Marquee tools also share a set of options available from the Property inspector. You can display the Property inspector, as shown in Figure 6-5, by selecting Window Properties, or by pressing Ctrl+F3 (Command+F3). The Marquee properties affect two separate items: Style and Edge.

Save layout Select an object Select all Select objects by type Send backward Send to back Set alignment Sliding/printing Square the object being resized Switch between current tool and Pointer tool Text format

A compelling use of a draggable Movie Clip is a slider that can alter the properties of another object. By checking the position of a Movie Clip, you can use the position s X or Y coordinate value to alter the value of another Movie Clip. In this section, we create two sliders (one for alpha and another for scale) that will dynamically change the transparency and size of a Movie Clip instance on the Stage. Many thanks to Sandro Corsaro of spanktoons.com for supplying the artwork of Robert s dog Stella and the park sign.

Listing 17-11: ch17_feed_to_javascript.py (Part 2 of 4)

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Quite often, digital cameras are offered with a digital zoom to boost their zoom capability to 2x, 4x, 6x, or even more The digital zoom is just a marketing ploy to persuade the uninitiated camera buyers to pick the highest digital magnification camera over other competing digital camera models There is absolutely no advantage to using the digital zoom function on your digital camera When you set a digital camera to digital zoom, the camera actually shoots the picture at its full optical zoom setting (full zoom with the physical optics) Once the picture has been shot, the camera magnifies the digital image internally to match the digital zoom setting Then it outputs the final digitally magnified image to storage When it digitally magnifies the images, it has to make every object in the scene bigger than it was originally shot.

After the code is executed, the modified <lineitem> element looks like this:

A basic description of the simulator is described in Appendix E. In the following text, the GPRS-speci c features and modeling are described. Figure 7.21 schematically describes the GPRS/EGPRS simulation model. All the necessary details affecting the analyzed performance values are taken into account in the simulations. 7.3.2.1 Radio Link Modeling Only downlink user traf c is simulated. Downlink packet ACK/NACK messages are modeled on uplink. These blocks experience interference that correlates with the downlink CIR, according to CIR uplink = CIR downlink + N (2, 4) where all the units are expressed in dB, and N (2, 4) is a random normally distributed value with mean of 2 and variance of 4. This relationship is based on separate simulations with both up- and downlink traf c assuming 90/10 asymmetry.

Make sure your subject isn t wearing green, because otherwise iMovie may eliminate part of the subject. Green eyes are okay, but that s as much green as you can have. Record your video. At the end of each take, pause the camera, have the subject leave the scene, and then take a few frames of only the background. This helps iMovie to work out what s the subject and what s the background.

To do so, it expands each object by the digital zoom factor and fills in the missing new details with the color of the adjacent pixels This process of generating additional image data is called interpolation Figure 7-15 shows an image that was shot with a Nikon COOLPIX 950 The camera was set to a 2x digital zoom to boast the image to twice its original magnification Interpolation is the reason that digital zoom is useless The camera did not really zoom in to the subject and acquire the additional data from the scene It is making up new data from already captured data You can perform this process easily through photo-editing software on your computer Think of it as enlarging your image in your photo-editing software, and then cropping out the desired frame.

When the SET button is associated with this function, the SET button allows you to change the image quality quickly and conveniently. To change the image quality, press the SET button in shooting mode. Use the main dial to scroll through the image quality selections. The selected image quality is shown on the LCD. Press any button to confirm the selection.

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