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By default, a motion path is either the distance from outside the page to the object, or roughly half the width of the page, depending on the Animate menu option chosen (as described in the previous section). However, you can change the length of animation proxy thus the motion path it represents simply by selecting it, then dragging its endpoint as you would any line. You can also reverse the animation s direction by selecting its animation proxy and choosing Object Paths Reverse Path. Also by default, the motion paths for animation effects are straight lines, but they don t have to be. You can change the shape of the default motion path, such as to make it curve: To do so, select the animation proxy using the Direct Selection tool, then use the Pen tool and related techniques described in 16 to manipulate the path s shape. For example, you could select its midpoint and choose Object Convert Point Symmetrical to create a simple wave-shaped motion path. You can also create a motion path from scratch. To do so, create a path or shape as described in 16 or using one of the line or frame tools as described in 9. Then create your animated object using the Animation panel, as explained in the previous section. Select both the animated object and the object you want to be used as the motion path, and then click the Convert to Motion Path iconic button in the Animation panel. The object is converted into a motion path, with its endpoint placed inside the animated object. That s it!

You can easily edit symbols in the Symbol Editor. When you re done editing a symbol and have closed the Symbol Editor, the changes that you ve made are applied to the symbol and to all of its Instances. Editing a symbol, then, is also editing all of its Instances. To modify an existing symbol, follow these steps: 1. Choose Window Library, or use the keyboard shortcut, F11, to view the Library panel, if it isn t already visible. 2. Select the symbol you want to edit from the symbol list. 3. Double-click the symbol preview to open the symbol in the Symbol Editor. Alternatively, you can choose Edit Symbol from the Library panel Options menu. 4. Modify the symbol in the Symbol Editor. When you re done, close the Symbol Editor by clicking its Close box, located in the upper-right corner in Windows and in the upper-left corner on a Mac. Your edits are applied to the symbol and to all of its Instances.

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Instead of silencing an instrument, you can get rid of it. Click the instrument, and then click the No Instrument button on the toolbar.The instrument disappears, leav-

Part VII: Appendixes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 679

Both physical and logical style tags are described in Table 8-8. TABLE 8-8

1. Choose Show Subset from a library panel s flyout menu or click the Show Library Subset iconic button (the glasses icon) at the bottom of the panel. The Show Subset dialog box, shown in Figure 7.8, appears. 2. To search the entire library, click Search Entire Library; to search only the objects currently shown in the page, click Search Currently Shown Items.

There are several ways to delete objects in InDesign. Most people either have a favorite method or use one that s easiest to adopt in their current state (such as using a mouse action to delete a frame when they re using the mouse already to size frames). No matter what your preferred approach, be sure you select an object with the Selection tool. The methods are:

The kerning method you use depends on the circumstances. For example, some fonts include a large set of kerning pairs. Such fonts, especially at text font sizes (9 to 12 points) and lower, may look fine using the default metrics kerning option, which uses built-in kerning pairs. On the other hand, if the font applied to highlighted text has few or no built-in kerning pairs or if several different fonts are mixed together, the text may benefit from the optical kerning method. At display font sizes (36 points and larger), you may want to manually kern individual letter pairs to suit your taste.

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