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receiver or as a separate audio processor For PCM audio output, the PCM signal from an audio track is sent directly to the digital audio output Or alternatively, the multichannel decoder in the player produces a PCM signal In either case, a receiver with a built-in digital-to-analog converter (DAC) or an outboard digital-to-analog converter is required Some players provide separate outputs for multichannel audio and for PCM audio Other players have either a switch on the back or a section in the onscreen setup menu where you can choose between PCM output and multichannel output (undecoded Dolby Digital, DTS, or MPEG audio) The multichannel output menu option is usually labeled AC-3 or Dolby Digital All NTSC DVD players include a two-channel Dolby Digital decoder, so they can produce PCM audio from Dolby Digital audio Most PAL DVD players include both two-channel Dolby Digital and two-channel MPEG audio decoders, so they can produce PCM output from either format Many players (NTSC and PAL) also provide DTS audio output, but only for connection to an external DTS decoder Few players have built-in DTS decoders The digital audio output is also used for PCM audio from a CD Players that can play Video CDs also may produce PCM audio output converted from the MPEG-1 audio signal Combination laserdisc/DVD players also use this output for the laserdisc s PCM audio track (but not the AC-3 track; see the following) The direct output from PCM tracks on a DVD is at a 48 or 96 kHz sampling rate with 16, 20, or 24 bits The converted PCM output from multichannel audio tracks is at 48 kHz and up to 24 bits The PCM output from a CD is at 441 kHz and 16 bits The PCM output from a laserdisc player is also at 441 kHz and 16 bits The connected audio component does not need to be able to handle all these variations, but the more the better A system capable of 16 and 20 bits at sampling rates of 48 and 96 kHz is recommended Some DVD players are incapable of properly formatting a PCM signal for output at high sampling rates or bit sizes If you have an external system capable of 24 bits or 96 kHz, make sure the player can correctly produce the digital audio signal Also be aware that players are required by the CSS/CPPM license to restrict digital output of 96 kHz audio when the disc is encrypted In this case, most players downsample to 48 kHz The digital audio output must be connected to a system designed to accept either PCM digital audio, Dolby Digital (AC-3), or both Most modern digital receivers can automatically sense the type of incoming signal Some players include a dynamic range control setting (also called midnight mode) that boosts soft audio and reduces loud sound effects This setting should be turned off for best effect with a home theater system, but it.

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< xml version="10" encoding="UTF-8" > Page 8 Thus, the menu path to get to the IMG from the Logistics screen, or [S000] as in the example of the SAPGUI, is as follows: Tools, Business engineering, Customizing Please refer to 5 to read about creating your own transaction codes Table 1-1 shows codes you will be accustomed to using: Naturally, there are hundreds of such codes and it would be irrelevant to list them all now; generally, SAP groups transaction codes into its componants For example [VAOO] will give you the sales overview screen, whilst [VAO1] will give you the create sales order screen, [VAO2] the change sales order, [VAO3] display sales order, etc Note as transaction codes call up screens, there must be a link from the screen you are trying to access to the relevant screen you wish to call up; thus, you will not be able to use the transaction code VA00 whilst in the IMG As a general rule, you can access every screen from [S000] the logistics screen

should be turned on for environments where the dialogue cannot be clearly heard, such as when everyone else in the house has gone to bed and the volume is down low Dolby Digital also has a feature called dialog normalization, which is designed to match the volume level from various sources Each encoded audio source includes information about the relative volume level Dialog normalization automatically adjusts the playback volume so that the overall level of dialog remains constant It makes no other changes to the audio, including dynamic range; it is equivalent to manually turning the volume control up or down when a new program is too soft or too loud Usually, only one setting exists in a program; that is, the volume control does not change in the middle Dialog normalization is especially useful with a digital television source, to handle variations in volume when changing channels It is less useful for DVDs, unless they have many separate programs on them DTS is not used on most DVD discs SDDS is not used on any discs They are optional multichannel surround formats that are allowed in the DVD format but not directly supported by most players Each requires the appropriate decoder in the receiver or a separate audio processor Connecting Digital Audio Two different standards govern the digital audio connection interface: coaxial and optical The arguments are many and varied as to which one is better, but since they are both digital signal transports, good-quality cables and connectors will deliver the exact same data Some players have only one type of connector, although many have both Coaxial digital audio connections use the IEC-958 II standard, also known as S/PDIF (Sony/Philips Digital Interface Format) Most players use RCA phono connectors, but some use BNC connectors Use a 75-ohm cable to connect the player to the audio system Multichannel connectors are usually labeled Dolby Digital or AC-3 PCM audio connectors usually are labeled PCM, digital audio, digital coax, optical digital, or so on Dual-purpose connectors may be labeled PCM/AC-3, PCM/Dolby Digital, or something similar Make sure you use a quality cable; a cheap RCA patch cable may degrade the digital signal to the point that it does not work Optical digital audio connections use the EIAJ CP-340 standard, also known as Toslink Connect an optical cable between the player and the audio receiver or audio processor The connectors are labeled Toslink, PCM/AC-3, optical, digital, digital audio, or the like If the connection (either coaxial or optical) is made to a multichannel audio system, select Dolby Digital/AC-3 (or DTS or MPEG multichannel).

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The following illustration shows how these modes are selected:

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