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The orientation of movement along any of the three axes (x, y, and z) depends entirely on the location of the vanishing point. When the vanishing point is centered on the stage, the z-axis is pointing nearly straight at you. This means z-axis movement will increase and decrease the size of the object, as it apparently moves closer and farther from you. As illustrated in the previous exercise, this orientation can change. Without ActionScript, it isn t possible to point the x- or y-axis directly at you, but you can approximate these orientations by setting a very high number, such as 10000, for the X and Y values in the Vanishing point setting in the Properties panel s 3D Position and View area. Extreme positions for the vanishing point result in the following orientations: Significantly high or low X value: Z movement becomes horizontal. Significantly high or low Y value: Z movement becomes vertical. Significantly high or low X and Y values: Z movement becomes diagonal. Fiddle enough with these settings, and you ll get seasick! Just remember that you can always start from scratch very easily by selecting your movie clip and clicking the Reset button in the Properties panel and the Remove Transform button in the Transform panel. In spite of the utility of this tip, you can quickly find yourself in a pickle when positioning numerous objects not just one in the 3D space of the stage. We hope the following suggestions make your journey a bit easier.

Parallax is an optical illusion that gives an otherwise flat 2D image the illusion of depth. We have all experienced this effect. Imaging you are sitting in your car zipping along the highway. The line in the road seem to be a blur, whereas the cows in the field move across your line of sight rather slowly and the forest in the distance behind the cows appears to hardly move at all. Though the technique has been liberally used by science-fiction movies for years, it really didn t catch massive attention until Ken Burns, in his Public Broadcasting Service (PBS) movie The Civil War (www.pbs.org/civilwar/), used it to bring grainy black-and-white civil war photos to life. In the movie, the camera would slowly pan across an image seeming to move forward into the image or backward across the image. The introduction of the 3D tools in Flash hands you the opportunity to create your own parallax effects in your movies. In this exercise, we are going to put a series of 2D images into motion to create the effect. Along the way, you will discover how objects can be animated in 3D space and how important movie clips are to the process of creating the illusion of parallax. Let s get started.

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4. Give your new StackPanel the name ReflectionSP, as shown in Figure 2-63.

do development, and you want to update the custom transport, you can update the EAR file and then restart the server.

The files used in this exercise are freely available from the NASA website (www.nasaimages.org/ ). The images on this site are stunning and, because they are part of the Internet archive, are available, for free, to anybody who chooses to use them for whatever purpose.

When the image opens, as shown in Figure 9-19, you will see that we have created the scene to be used in this project. Each of the images has been placed on its own layer, and the background for the images is transparent. Feel free to move things around. When you finish, save the file as a PNG image, and quit Fireworks or Photoshop.

when the application starts, it won t be visible, as shown in Figure 2-64.

3. In the Properties panel, change the stage color to black (#000000). 4. Open the SpaceComposition movie clip found in the Fireworks Objects folder. We are

Registering the transport provider in WorkSpace Studio is a little different. Rather than using an application listener class that is automatically invoked when loaded, the transport provider implements one extra, very simple interface: TransportProviderFactory. The key method in this interface is registerProvider(TransportManager tm). The OSB transport subsystem in WorkSpace Studio will call the transport provider s implementation of this method at startup, passing a reference to the TransportManager. The transport provider implementation can then register the transport with the transport manager. You may be wondering how the transport subsystem knows where to find the implementation class. A reference to the implementation class for this interface is put into the plug-in XML file that configures the WorkSpace Studio plug-in. So, by looking at the plug-in XML configuration files, the transport manager in WorkSpace Studio can find all of the transport plug-ins, and can call their registerProvider methods. Examples of the plug-in XML configuration file and the implementation of the TransportProviderFactory for the socket transport are shown in Listings 17-23 and 17-24. Notice that registerProvider method keeps track of whether the provider is being used in WorkSpace Studio or in the server environment. This can be useful for a transport to know so that it doesn t try using WebLogic Server APIs while not running on the server. Listing 17-23. Socket Transport Configuration plugin.xml File < xml version="1.0" encoding="UTF-8" > < eclipse version="3.2" > <plugin> <extension point="com.bea.alsb.core.transports" id="socket" name="Socket Transport"> <transport transport-provider= "com.bea.alsb.transports.sock.SocketTransportProviderFactory"/> </extension> <extension point="org.eclipse.help.toc"> <toc file="/help/en/toc.xml" primary="true"/> </extension> <extension point="org.eclipse.help.contexts"> <contexts

5. Select layer 1, and delete it from the timeline. There is nothing n this layer, so it isn t needed. 6. Select each object on the screen Astronaut, Earth, and each of the four planets and

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