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sideways, slowly back and forth. You ll see a pie chart like wedge appear inside the bull s-eye (see Figure 9-9), which gives you an idea of the current size of the angle. In the figure, the angle is approximately 45 degrees.

5. To adjust y-axis rotation, hover near the horizontal green line, and then click and drag slowly up

Next, we see object-relational mapping (ORM) tools and frameworks. This level includes software packages such as Hibernate, Kodo, and Cayenne. These tools make it easy to persist the object data within an object-oriented application. Those ORM tools are then accessed from the function/processes within a software application. Software applications, in turn, provide a greater level of abstraction, and are often the lowest level of interaction, where people other than software developers become involved. For most of the history of software, applications represented the apex of abstraction. Now we have domain services and enterprise services above that level. An important principle is associated with the software abstraction scale: the level of functional detail in any system is inversely proportional to its level of abstraction. Figure 12-2 represents this graphically. At the lower levels of abstraction, you ll find exponentially more functional and technical implementation detail than at the higher levels of the abstraction scale. This is as it should be. For every enterprise service, there should be 5 to 20 lower-level, supporting services. If you have 100 enterprise-level services and 100 low-level implementation services, you have provided no abstraction at all! These numbers aren t hard and fast, but they are representative of the orders of magnitude that naturally occur with SOA. If you don t respect this principle (and by respect, we mean design and code with this principle in mind), you ll effectively destroy your abstraction scale and, of course, your SOA.

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Figure 16-18. The Insert a Component screen icon. Your SketchFlow Map should now look like what I have in Figure 16-19.

Figure 9-9. A wedge shape tells you how far you re rotating. The visual effect on the movie clip is easy to see. As shown in Figure 9-10, the rotations work as follows: X-axis rotation (left) moves like a head nodding yes. Y-axis rotation (center) moves like a head shaking no. Z-axis rotation (right) moves like a doorknob, which is effectively the same as rotating with the Free Transform tool.

Figure 9-10. Three axes of rotation: x moves like a head nod, y moves like a head shake, and z moves like a doorknob.

We won t ask you to accept this pattern blindly. Let s double-check this pattern against current, successful models to see how well they match up. Let s begin with a technology we all know and love: television. Figure 12-3 shows our TV abstraction model.

Figure 16-19. Your Nav Component Screen should now have green lines to each of the Screens. If you look at each of the pages you will see they do in fact have the Nav Component Screen on them. They need to be positioned so that they are directly under the TextBlock for the page. Adjust each page s Nav Component Screen now. Once you have done that, press F5 to compile and run the application and use the navigation Component Screen to move around the different pages. Pretty cool!

easy to get disoriented when rotating numerous axes at once for example, by dragging the outer orange circle or when rotating any particular axis after others are set to nonzero values. If dragging ever gets out of hand, click the Transform panel s Remove Transform button (see Figure 9-11). In fact, do that now to see the movie clip return to its default flat appearance.

provide an alternate way to rotate along the x, y, and z axes with the added benefit that you can enter exact values by hand.

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