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Click the eyeball icon. Notice that everything on the stage disappears, and the dots under the eyeball in each layer change to a red x. This eyeball is the Layer Visibility icon, and clicking it turns off the visibility of all the content in the layers. Click the icon again, and everything reappears. This time, select the Butterfly02 layer, and click the dot under the eyeball. Just the butterfly in the center of the stage disappears. What this tells you is that you can turn off the visibility for a specific layer by clicking the dot in the visibility column. When you click a layer, you may notice that a pencil icon appears on the layer strip. This tells you that you can add content to the layer. Click the Butterfly02 layer, and you ll see the pencil icon. Now, click the dot under the lock in the Butterfly02 layer. The lock icon will replace the dot. When you lock a layer, you can t draw on it or add content to it. You can see this because the pencil has a stroke through it. If you try to drag the Butterfly movie clip from the Library to the Butterfly02 layer, you will also see that the layer has been locked because the mouse pointer changes from a tan arrow to a circle with a line through it. Also, if you try to click the butterfly on the stage, you won t be able to select it. This is handy to know in situations where precision is paramount and you don t want to accidentally move something or, god forbid, delete something from the stage.

OK, we sort of stretched the truth there by telling you that content can t be added to a locked layer. ActionScript is the only thing that can be added to a locked layer. This explains why many Flash designers and developers create an ActionScript-only layer usually named scripts or actions and then lock the layer. This prevents anything other than code from being placed in the layer.

ShopForMusic / HideDialog, as I am doing in Figure 16-30. This will make the DialogBox Grid disappear when the user clicks Continue Shopping.

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Service endpoint address URL: The custom transport can determine the service endpoint address URL for the effective WSDL. In the port section of the effective WSDL of a service is the URL address of the service endpoint. By default, this is simply the proxy or business service URL. If that URL needs to be modified (for example, it needs to be extended with the OSB server s host and port), the transport provider can implement the getEndPointAddress method in the TransportCustomBindingProvider interface. OSB will then consult with this method when generating the effective WSDL for a service using the transport to get the endpoint URL.

The final icon is the Show All Layers As Outlines icon. Click it, and the content on the stage turns into outlines. This is somewhat akin to the wireframe display mode available in many 3D modeling applications. In Flash, it can be useful in cases where dozens of objects overlap and you simply want a quick X-ray view of how your content is arranged. With animation, in particular, it can be helpful to evaluate the motion of objects without having to consider the distraction of color and shading. Like visibility and locking, the outlines icon is also available on a per-layer basis.

You can change the color used for the outline in a layer by double-clicking the color chip in the layer strip. This will open the Layer Properties dialog box. Double-click the color chip in dialog box to open the Color Picker; then click a color, and that color will be used.

3. Change the DialogBox Grid Opacity back to 0%.

Custom transports can optionally supply online help pages, further making them appear as natural components of OSB. This feature provides a way for the custom transport to give detailed help information about the transport s endpoint configuration properties. If the transport does not implement this feature, a generic transport help page will be displayed when the user clicks the help link.

What if you don t want to stop the audio but simply allow the user to temporarily mute it Providing your users with this option is a courteous thing to do. Fortunately, it s not very hard to do. To see how muting is accomplished, open the RemoteSound3.fla file in this chapter s Exercise folder. By this point, you should be feeling a sense of d j vu. The file looks nearly the same as in the previous exercise, but the instance names have changed. The buttons now have instance names muteMC and unmuteMC. The code has also changed, but not by much.

following code: var audio:Sound = new Sound(); var req:URLRequest = new URLRequest( "On Borrowed Time.mp3"); audio.load(req); var channel:SoundChannel = audio.play(); var xform:SoundTransform = new SoundTransform(); muteMC.buttonMode = true; muteMC.addEventListener(MouseEvent.CLICK, muteSound); function muteSound (evt:MouseEvent):void{ xform.volume = 0; channel.soundTransform = xform; } unmuteMC.buttonMode = true; unmuteMC.addEventListener(MouseEvent.CLICK, unmuteSound); function unmuteSound (evt:MouseEvent):void{ xform.volume = 1; channel.soundTransform = xform; }

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