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1. Hold down the Shift key, and select frames 1 and 97 on the timeline to select the audio file. Press

Each line is read in sequence, and the populate function is called to expand the variables to their values. Once the script has finished processing all the data, the counter variable contains the number of the last line of data that was processed.

select kaboom.mp3. If you have a number of audio files in your Library, they will all be listed in this drop-down menu, and you can use it to add or change audio files without deleting them or dragging them onto the timeline.

If you want to loop your audio, the Properties panel puts a couple choices at your disposal. Here s how to set up looping:

This while loop then counts down from the counter value, decrementing by one each time, outputting the contents of each of the newly created variables. Thus we reverse the order of the lines from the input.

Return (Mac) key, and you will hear a frog croak. The waveform shows that the croaking happens only once, even though the timeline spans 60 frames. Surely, the frog has more to say than that. Let s give it something to really sing about.

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The VEMap control takes in the ID of the <div> tag as the host container in its constructor. VEMap is at the heart of the VE API, and as the core component, it handles most of the functionality. Take a moment to look at some of the methods in the VEMap control shown in Table 9-1.

2. Select anywhere inside the waveform, and change the 1 next to the Repeat drop-down list to 4,

3. Scrub the timeline to verify that, as an event sound, the audio does not preview until you press

here are many ways to send script output to the screen or to a file. The technique demonstrated in this chapter for creating preformatted output is simple to code. Many times I have coded scripts that write entries to a log, create a configuration file, or generate formatted usage output one line at a time by redirecting the output of echo statements. This works perfectly well, but the code looks a bit ugly and becomes tedious; it is also laborious to make changes because each echo statement has to be formatted individually. The original version of the gold Linux build script in 38 was written in that way. It created a temporary file used to partition a hard disk by outputting each partition table entry individually. The script has since been updated to use the technique in this chapter. Here are some sample lines of the original code:

disappears, and the waveform changes visually to what looks like a single play-through. In spite of its looks, this sound will repeat forever unless you stop it with a Stop keyframe later in the timeline or until your user closes Flash Player or flees the web page out of desperation. The Loop setting repeats a sound indefinitely.

AddControl AddPolygon AddPolyline AddPushpin AddShape AttachEvent Clear ClearInfoBoxStyles DeleteRoute DeleteTileLayer DetachEvent EndContinuousPan Find GetAltitude GetBirdseyeScene GetCenter/SetCenter GetHeading/SetHeading GetLeft GetMapMode/SetMapMode GetMapStyle/SetMapStyle GetMapView/SetMapView GetPitch/SetPitch GetRoute GetTop GetVersion

Be very careful with the Loop setting! If a sound is set to Event and Loop, you can accidentally cause instant psychosis if the timeline has more than one frame. Timelines naturally loop when they hit the end of their frame span. If the timeline cycles back to frame 1 while the audio is still playing, you can quickly produce an unwanted echo torture chamber.

"# partition table of /dev/hda" > $PARTTAB "unit: sectors" >> $PARTTAB >> $PARTTAB "/dev/hda3 : start=0,size=0,Id=0" >> $PARTTAB "/dev/hda4 : start=0,size=0,Id=0" >> $PARTTAB

Flash lets you adjust the volume of audio files even after they ve been imported to the Library. Because of the way Flash outputs its internal audio mix, this also means you can pan your sounds by adjusting each speaker s volume separately. In effect, you can bounce audio back and forth between the two speakers, even if those audio files were recorded in mono.

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