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Figure 7-6. Examples of easing, from top to bottom The Blend pop down, directly under the Ease hot text, is a much subtler matter. There are two Blend settings: Distributive (the default) and Angular. According to Adobe, Distributive creates an animation in which the intermediate shapes are smoother and more irregular, and Angular creates an animation that preserves apparent corners and straight lines in the intermediate shapes. In actual practice, the authors find this distinction negligible at best. In short, don t worry yourself over this setting. Feel free to use the one with which you are most comfortable. We re willing to bet our hats you won t be able to tell one from the other. So far, so good. These tweens have been pretty straightforward. In fact, as you ll find later in the chapter, everything you ve seen to this point can be accomplished just as easily with classic tweens. This raises a good question: what makes shape tweens so special Why not just use classic tweens or the motion tweens you ll learn about in 8 The answer comes in two parts: gradients and shape. Let s tackle shape first, because it has the potential to set your teeth on edge if you aren t prepared for it.

The server-side event triggered when the user switches to another tab. Index of the selected tab. CSS class used to decorate the Tab control with custom settings. You can define the header, outer, inner, and body of the tab as well as other behavior settings such as when a tab becomes active. Height of the individual tab body.

The compelling reason to use shape tweens is their ability to manipulate the actual form of the artwork itself, beyond scaling and stretching. Let s keep playing:

1. The search for the term where you want to insert the new text. 2. The i for inserting the new text. This command switches the editor into insert

2. You should still have a shape tween applied (if not, add one). Drag the playhead back and forth to

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see a result that may surprise you. Rather than rotating, the pepper temporarily deforms itself as it changes from one keyframe to another (see Figure 7-7).

OnClientActiveTabChanged The client-side event triggered when the user switches to another tab. ScrollBars Display mode for scrollbars in the body of the tabs. The possible values are None, Horizontal, Vertical, Both, and Auto.

mode instead of command mode, similar to the vi editor. Now comes the text of the line you want to insert.

Figure 7-7. Sometimes shape tweens perform unexpected transformations. What on Earth is going on here Though it may look like an absolute mess, what you are seeing is the key distinction between shape tweening and the other kinds of tweening. Believe it or not, this behavior can be a very useful thing. You ll see an example in just a moment. First let s take a quick field trip to frame 10 in order to illustrate a point.

In case you re worried, we ll put your mind at ease without further ado: it is entirely possible to rotate artwork with tweens in Flash. In fact, it s easy. In contrast to shape tweens, classic and motion tweens maintain a strict marriage between the vector anchor points of one keyframe and the next. We ll show you why later in this chapter and in 8. When you understand what each approach does best, you ll know which one to use for the task at hand.

of tiny squares that act as anchor points among the various lines and curves that make up the pepper s shape. All those points exist in frame 1 as well, of course, but they re in different positions relative to one another.

172.16.5.1 node1 node1.somedomain.com alias1.somedomain.com 172.16.5.14 node14 node14.newdomain.com alias14.newdomain.com 172.16.5.2 node2 node2.somedomain.com alias2.somedomain.com 172.16.5.4 node3 node3.somedomain.com alias3.somedomain.com

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