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China WTO Noti cation and Enquiry Center, MOFCOM 2 Dongchanganjie, Beijing, China 100731 Telephone: 86 10 6519 7313 Responsible for answering of cial inquiries into China s trade policies and notifying the WTO of China s policies, laws, and regulations on trade and investment. Department of WTO Affairs, MOFCOM 2 Dongchanganjie, Beijing, China 100731 Telephone: 86 10 6519 7313 In charge of China s negotiations in future rounds of WTO trade liberalization talks. Fair Trade Bureau for Import and Export, MOFCOM 2 Dongchanganjie, Beijing, China 100731 Telephone: 86 10 6519 8167 Deals with antidumping, antisubsidy, and related protective measures under the Department of Treaty and Law. FIE Registration Bureau, SAIC 8 Sanlihe Donglu, Beijing, China 100820 Telephone: 86 10 6805 7995 Special bureau within the State Administration for Industry and Commerce to facilitate the registration of foreign-invested companies. Investigation Bureau of Industry Injury, MOFCOM 2 Dongchanganjie, Beijing, China 100731 Telephone: 86 10 6519 8085 Assists in the investigation and research of cases of industry injuries stemming from dumping, subsidies, and so on. WTO Of ce, State Administration of Customs 6 Jianguomennei Dajie, Beijing, China 100730 Telephone: 86 10 6519 5621

The first step to creating a movie is to get some raw footage into the computer, From the standpoint of Hollywood movie moguls, this stage it the equivalent of all the camera crews bringing the scenes they ve shot on film into the editing studio. Those scenes are the raw footage from which the editors and producers can create the movie. The content you capture from your videotapes will be your raw footage from which you can create your movies. There are basically three ways to get your raw footage: If you have a digital video camera, you can capture video straight from any tape you re previously recorded. If you ve previously captured video to your computer using some program other than Movie Maker, you can import that footage into Movie Maker. You can also capture content from an analog video camera, VCR, or TV. Though the latter requires some extra hardware, and I ll reserve that whole discussion for 41.

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allow the drinker to claim the brand while distancing himself psychologically from his own drinking (Abrahamson, 1998; Law, 1997). The effectiveness of linking masculinity with sports was demonstrated in a US study of male teenagers who consistently preferred televized beer advertisements with sports content, compared with those without (Slater et al., 1995). Themes of masculinity and regionalism are also evoked in some spirits ads, particularly for whisky. Others employ less gendered messages about partying, and increasingly adopt swirling, magical imagery conveying the mind-altering qualities of alcohol (Hill, 1999). Image advertising is responded to positively, especially by younger recipients (Covell, 1992; Kelly & Edwards, 1998). Research has shown that advertising becomes increasingly salient to young people over the age-span 10 14 years (Aitken et al., 1988) and 10 13 yearold males were more likely than older teenagers to say that alcohol advertising was an important source of information about drinking, and did encourage teenagers to drink (Wyllie et al., 1998b). Effective advertising operates at the symbolic, intuitive level of consciousness (Lannon & Cooper,1983) and by linking attractive people with aspirational life-styles (Breed & DeFoe, 1979; Atkin & Block, 1981; Madden & Grube, 1994). This includes social camaraderie or mateship (Lieberman & Orlandi, 1987; Wyllie et al., 1997), so important for young people, which provides vicarious reinforcement for alcohol use (Bandura, 1977).

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Place sausages in a pan with enough salted water to cover. Bring to a simmer and simmer until completely cooked. Do not let the water boil. This is likely to make the sausages burst or shrink excessively. Time depends on the thickness of the sausage. Sausages in hog casings take about 20 minutes to cook; smaller ones may take as little as 10 minutes, larger ones 30 minutes or more. Raw sausages may be simmered until cooked through, then nished by one of the following methods.

You can use the List controller to apply several controllers at once. This feature enables you to produce smaller, subtler deviations, such as adding some noise to a normal Path controller. When the List controller is applied, the default track appears as a subtrack along with another subtrack labeled Available. By selecting the Available subtrack and clicking the Assign Controller button, you can assign additional controllers to the current track. All subtrack controllers are included in the List rollout of the Motion panel. You can also access this list by right-clicking the track and selecting Properties from the pop-up menu. The order of the list is important because it defines which controllers are computed first. The Set Active button lets you specify which controller you can interactively control in the viewport; the active controller is marked with an arrow, which is displayed to the left of the name. You can also cut and paste controllers from and to the list. Because you can use the same controller type multiple times, you can distinguish each one by entering a name in the Name field.

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