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1. Load the Opening Title project file from the 8 folder on the CD-ROM that accompanies this book. If you prefer, you can load your own project. The project should have a video clip in Video Track 1 of the Timeline window. 2. Choose File New Title to create a new title. 3. To add a background clip to the Title window, drag the Beach Scene clip from the Project window to the Title window (or load the video clip that is in your project). Premiere automatically uses Frame 1 of the clip as the background. 4. Click the Type tool and move the I-beam cursor to the Title Safe area and type Welcome to Sunny Beach. 5. Change the text attributes, color, and shadow as desired. 6. Save the title and name it by choosing File Save. 7. In the Timeline window, drag and drop the title file to the beginning of Video Track 2. 8. Save the project and press Enter to build a preview of the project. 9. Display the Monitor window, if it is not already open, by choosing Window Monitor. Press the Play button to play the project.

where Q = (Q1 Q2 , . . . , QL 1 ) is an m m(L 1) matrix, O is an m(L 1) m null matrix, Im and Im(L 1) are the m m and m(L 1) m(L 1) identity matrices, respectively. It should be noted that in the special case when synaptic weights are FIR lters, W(z) = P(z), and both internal space matrices A and B are constant matrices and they can be determined explicitly.

Figure 27-1

0.025 0.020

15.O Summary .............................................................................. .439 15.1 Introduction .......................................................................... 440 15.2 DOA Estimation Using a Realistic Antenna Array ............... 441 15.2.1 Transformation Matrix Technique .......................... 441

The default copy options are suitable in most situations. However, you may sometimes want to modify them. To do this, open the Package Presentation for CD dialog box, and follow these steps:

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Internet Protocol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 IP Addressing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

where we set z F, H(u, v) is the optical transfer function and ", " can be taken as the x y transverse position of the optical axis. Neglecting the OTF for a moment, we nd therefore that the power spectral density at the focus of a lens illuminated by quasihomogeneous source approximates the radiance, speci cally x y B x, sx , sy , n % S(x, y, n) F F (10:51)

An acronym for Audio Interchange File Format, AIFF does for the Macintosh what WAV does for the PC. Uncompressed and of the highest quality, AIFF files are synonymous with Mac music and sound.

At the top of the Advanced Render Settings palette is the drop-down list of the render presets. Render presets are groups of settings that you can use when you don t want to customize the settings. You can choose from Draft, Low, Medium (the default), High, and Presentation. (You can customize the presets themselves, by choosing Render tab Render panel Render Presets drop-down list Manage Render Presets [the RENDERPRESETS command].) The choice you make depends on your situation how much you need to see, whether you re doing a draft or final rendering, and the capabilities of your computer system, especially its graphics card and memory.

4. Press the D key to set your color swatches to their default colors of white over black. (When you re on a mask, the default is the opposite of when you are working with the image itself.) Press X to exchange these colors so that the color swatch on top is black (the foreground color) and white is on the bottom (the background color). 5. Go to the Tool Options bar to set up the Gradient tool. Click the Gradient Picker pop-up, as shown in Figure 8.15, and select the first gradient option: Foreground to Background. Also make sure that the Radial Gradient style is selected, as circled in Figure 8.15.

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Before going into implementation details of discrete-event simulations, we first define some terminology in Section 18.3.1. We then present time-based simulations in Section 18.3.2 and event-based simulations in Section 18.3.3. We finally discuss implementation strategies for event-based discrete-event simulations in Section 18.3.4.

These, and a few other cases can also be found in [217, Section queue in Section 8.4.1 because it allows for an explicit queue in Section 8.4.2.

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