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tone, which could also indicate other modem problems (but not always). To resolve this problem, try these steps: 1. Verify that the phone line is snugly connected into both the wall jack and the modem. 2. Verify that the phone line is connected into the line jack on the modem and not the phone jack. If the line is connected as it should be, try moving the line to the other jack because the jacks could be mislabeled. 3. Remove any line splitters or surge protectors from the phone line. 4. Test the line by plugging it into a handset. If you have no dial tone on the line, you ll need to contact the telco to have the problem resolved. The phone line also might be in use by another party.

To get the most out of your podcast, you re going to need audio-editing software. Audio-editing software gives you the power to turn your raw podcast shows into things of beauty. Plenty of audio editors exist, from freeware all the way to specialized recording platforms for recording music. All are capable of basic editing operations such as cut and paste, as well as more advanced forms of signal optimization.

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Walking through a model keeps you parallel to the XY plane. However, sometimes you may want to look at the roof of a house or go up some stairs. Fly mode frees you to leave the XY plane. You can enter Fly mode by pressing the F key from Walk mode. From any 3D Orbit mode, right-click and choose Other Navigation Modes Fly or type 7. Otherwise, if the Render tab s Animations panel is not displayed, right-click anywhere on the Render tab and choose Panels Animations. Then choose Render tab Animations control panel Walk and Fly drop-down list Fly. This executes the 3DFLY command. The controls are the same for Fly and Walk modes, except that when you drag the mouse forward in Fly mode, you go upward, away from the XY plane, and when you drag the mouse backward (toward you), you go downward. Figure 22.16 shows the process of flying up a flight of stairs. FIGURE 22.16

Implied intersections are the points where two objects would intersect if they were either extended or trimmed. You can trim objects using their implied intersections as cutting edges for the trim as shown in Figure 4.9, and extend objects using their implied intersection as the boundary as shown in Figure 4.10.

Open the Two_Geese.tif practice le again. If it s still open from the last example, click the image thumbnail at the of top the History panel to return it to its opening state.

A layer style encompasses everything that you can tweak in the Layer Style dialog box (which is described in a moment). This includes nondestructive layer effects, as well as settings such as the layer s blending mode, opacity, and other blending options. Each layer comes with a default style, which contains no effects and has default blending options (such as a Normal blending mode, an Opacity of 100 percent, and so on). You can add a custom style to any layer apart from the Background layer and fully locked layers. When you customize a layer style, you usually enable and edit one or more effects within the style. You can change the layer s blending options and make them part of the custom style, too, if you like. (More on this in the section Editing and Managing Layer Styles. ) True to form, Photoshop gives you a million and one ways to add a custom style to a layer. Choose the one that works for you: n Double-click the layer in the Layers palette. Be careful to click away from the thumbnail, name, and link icon. n Right-click the layer in the Layers palette, and choose Blending Options from the pop-up menu. n Select the layer and then choose Blending Options from the Layers palette menu. n Select the layer, click the Add a Layer Style icon (the fx symbol) at the bottom of the Layers palette, then choose an effect to add from the pop-up menu, or choose Blending Options at the top of the menu.

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